José Joaquín Magón’s painting, The Mestizo (second half of 18th c.), follows the casta painting tradition of displaying Spanish father (left) and elite indigenous mother(right) with their child. Used as a way to categorize racial hierarchies in New Spain, this image and others like it provide a glimpse into how a woman’s experience in colonial America was shaped by the intersections of her race and gender and how she might have been perceived by European contemporaries.
The inscription on this painting reads: “In America people are born in diverse colors, customs, temperaments and languages. From the Spaniard and the Indian is born the mestizo, usually humble, quiet and simple.”